Remember
this is just what I used, and you can substitute what you have. I will put a
list of suggestions for substitutes at the end.
How To
Make the Background
- Use a white
crayon (or your substitute) to randomly fill in the pattern all over your
background.
-
Apply
colour over the background. Help colours blend together with water.
-
Create
texture on the background using inkpads and a variety of texture stamps or
found and upcycled objects.
-
Create a
chunkier block of pattern with the alphabet stencil and spray ink or acrylic
paint.
-
Create
contrast between the tag and the background by making one a lot darker in
colour than the other.
How To
Make the Tag
- Adhere a text page from a dictionary
or another old book onto the tag.
-
Stamp an image in Clear Embossing
Ink.
-
Shake Clear Embossing Powder over the
stamped image, return excess to the jar.
-
Heat the powder until it melts.
-
Repeat the above steps with a phrase
stamp and white embossing powder.
-
When the embossing had cooled
completely, colour the tag with water-based mediums such as spray inks,
watercolour paints, dye inkpads, or Distress Stain.
-
Punch a hole in the top of your tag,
tie ribbon.
Resist Medium Substitutes
- White Rub-ons: Works like a heat embossed stamped image. Gives a clear and crisp image with watercolour over the top.
- Wet glue: You can use a sponge to apply the glue
through a stencil, or put the glue into a fine-tip squeeze bottle and draw with
it. This is an excellent alternative if you don’t have any stamps or embossing
powders.
-
Vaseline: sponge or scrape Vaseline over the stencil.
Spray inks over the top give clearer results. Brushing paint over the top will
smear the Vaseline, no matter how careful you are. This is not wrong! It just
gives a different result.
-
Oil pastel or plain white candle: The pastel resists
the colour because oil and water don’t mix (just like wax and water don’t mix)
- White acrylic paint. The difference between putting
the paint over the top of the colour as opposed to underneath is the paint over
the top will reactivate water-based colouring agents and end up tinted; whereas
putting the paint down first will keep it white.
My Experiments:
- Tag
coloured with Distress Ink (inkpads).
- Images clear
heat embossed (clear embossing ink, clear embossing powder).
-
White
acrylic paint over the top.
The white acrylic reactivated the water based Distress
Ink, so the top layer ended up tinted. It was difficult to take the paint off
the embossed area only to leave a clear image. I think the results are worth it
though.
- Text paper
adhered to tag.
- Images
clear heat embossed.
-
Dylusions spray inks over the top.
The text paper behind the images is too busy. This may
have worked OK with a less detailed stamp.
- Apply white
rub-ons to a white tag.
- Apply
colour over the top.
This is easy to do and an excellent alternative to
heat embossing if you like the clean crisp appearance of a stamp, but don’t
have any suitable images, or heat embossing tools.
- White
acrylic paint stippled through a detailed stencil.
-
Watercolour
over the top.
The uneven application of paint
gives a great background effect.
- White acrylic
paint stippled through a stencil.
-
Watercolour
over the top.
The larger holes in this stencil allowed a heavier
application of the paint. Too heavy in places as it traveled underneath the
stencil and created blobs. This uneven effect is perfect for a background.
- Clear glue
applied from the bottle.
- Watercolour
over the top.
This is very thick glue, like a gel and the
word is raised. If you want to draw a finer detailed picture or word, use Glossy
Accents, Glossy Mod Podge or a similar glue that dries clear.